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The Royal Concertgebouw (in Dutch: Koninklijk Concertgebouw), is a concert hall in Amsterdam, the Netherlands. The Dutch term "concertgebouw" literally translates into English as "concert building".

The architect of the building was Adolf Leonard van Gendt, who was inspired by the Gewandhaus in Leipzig, built two years earlier (and destroyed in 1943). Construction began in 1883 in a pasture that was then outside the city, in Nieuwer-Amstel, a municipality that in 1964 became Amstelveen. A total of 2,186 piles of length twelve to thirteen metres (40 to 43 ft) were sunk into the soil.

The hall opened on 11-04-1888 with an inaugural concert, in which an orchestra of 120 musicians and a chorus of 500 singers participated, performing works of Wagner, Handel, Bach, and Beethoven. The resident orchestra of the Concertgebouw is the Royal Concertgebouw Orchestra (Koninklijk Concertgebouworkest), which gave its first concert in the hall on 3 November 1888, as the Concertgebouw Orchestra (Concertgebouworkest). For many decades the Netherlands Philharmonic Orchestra and the Radio Filharmonisch Orkest have also been regular performers in the Concertgebouw.

The Main Hall (Grote Zaal) seats 1,974 and is 44 metres (144 ft) long, 28 metres (92 ft) wide, and 17 metres (56 ft) high. Its reverberation time is 2.8 seconds without audience, 2.2 seconds with, making it ideal for the late Romantic repertoire such as Mahler. A smaller, oval-shaped venue, the Recital Hall (Kleine Zaal), is located behind the Main Hall. The Recital Hall is 20 metres (66 ft) long and 15 metres (50 ft) wide. Its more intimate space is well-suited for chamber music and Lieder. The Recital Hall has 437 seats.

Acoustics

The acoustics of the hall were not ideal at first. In the summer of 1899 the stage was drastically reduced and made flatter to improve the sound relationship between strings and brass players. Willem Mengelberg (1871-1951) was closely involved in this radical renovation and flawlessly sensed what was needed.

A similar ambition to get the most out of his orchestra is evident from the new double basses that were purchased a year later (1900), partly funded by private individuals. This form of support is still up-to-date under the auspices of the "Stichting Donateurs Koninklijk Concertgebouworkest".

A different aspect that made the Amsterdam Royal Concertgebouw Orchestra (RCO) is the contact that was made in 1903 with Gustav Mahler (1860-1911). It not only formed the basis for the Mahler tradition, but would also prove to be typical of Amsterdam's engagement with contemporary music.

The Concertgebouw is one of the most fundamental causes of the high flight that the Amsterdam Royal Concertgebouw Orchestra (RCO) took quickly. 'A good audience makes a good orchestra' says conductor Mariss Jansons (1943),'as a good instrument improves your playing'.

The paradox is that the hall is extremely difficult for the performers to play in. Nobody knows better than Bernard Haitink (1929), who attended the concerts by Willem Mengelberg (1871-1951) at the end of the thirties (1938): 'The musicians hear their colleagues badly and have to listen to them on stage. This disadvantage seems to have benefited the orchestra: Every rehearsal, the listeners are put to the test again'.

'It is admirable how the orchestra succeeds in combating this incessant problem', says conductor Ivan Fischer (1951). 'In one way or another, as an agile cat, they always end up on their feet. The result is the beautiful, uniquely fused sound that is unparalleled for the late-romantic repertoire'.

The orchestra could rehearse daily in the hall right from the start. Few top orchestras have such an uninterrupted history with their home base.

In Germany many halls were destroyed during the Second World War. Such as the Berlin Philharmonic and the Gewandhaus in Leipzig, which served Amsterdam as an example. The Concertgebouw on November 26, 1944, narrowly escaped a bombing. Large European cities such as London, Paris, Madrid and Rome have several venues, but none of the quality of the Concertgebouw.

More

The organ was built in 1890 by the organ builder Michael Maarschalkerweerd from Utrecht, and was renovated in the years 1990-1993 by the organ builder Flentrop. It has 60 registers on three divisions and pedal.

On 11-04-2013, on occasion of the building's 125th anniversary, Queen Beatrix bestowed the Royal Title "Koninklijk" upon the building, as she did previously on to the Royal Concertgebouw Orchestra. Because of its highly regarded acoustics, the Concertgebouw is considered one of the finest concert halls in the world, along with places such as Boston's Symphony Hall and the Musikverein in Vienna.

Amsterdam Royal Concertgebouw. Map. From left to right: 1. Amsterdam Royal Concertgebouw, 2. Stedelijk Museum, 3. Van Gogh Museum, 4. Rijksmuseum, 5. Leidseplein (off the map). The (grass) square in front of the Amsterdam Royal Concertgebouw is called "Museum plein (Museum square)".

Year 1883. Amsterdam Royal Concertgebouw. Design by van Gendt.

Administrators of the Amsterdam Royal Concertgebouw:

Year 1888. Amsterdam Royal Concertgebouw. Opening concert. Painting by N. van der Waay.

Year 1896Amsterdam Royal Concertgebouw.

Year 1902. Amsterdam Royal Concertgebouw.

Year 1905Amsterdam Royal Concertgebouw.

Year 1908Amsterdam Royal Concertgebouw. Congress of the World Association for women's suffrage.

Year 1909. Amsterdam Royal Concertgebouw. Gustav Mahler (1860-1911) with Dutch colleagues (photographer: W.A. van Leer for "Weekblad voor muziek"):

From left to right: 

  1. Cornelis Dopper (1870-1939) (Second conductor of the Amsterdam Royal Concertgebouw Orchestra (RCO/KCO)).
  2. Gustav Mahler (1860-1911).
  3. Hendrik Freijer (1876-1955) (Administrator of the Amsterdam Royal Concertgebouw Orchestra (RCO/KCO)).
  4. Willem Mengelberg (1871-1951) (Principal conductor of the Amsterdam Royal Concertgebouw Orchestra (RCO/KCO).
  5. Alphons Diepenbrock (1862-1921) (Composer).

Gustav Mahler himself in the Netherlands (1903, 1904, 1906, 1909 and 1910).

Amsterdam Royal Concertgebouw.

1913. 11-04-1913. Amsterdam Royal Concertgebouw. Members of the board. Photo taken on the occasion of the 25th annniversary. In the back a etching of Gustav Mahler by Emil Orlik (1870-1932):

From left to right:

  1. Jan Dudok van Heel (1867-1930).
  2. Henricus Joannes van Ogtrop (1866-1914).
  3. Richard van Rees (1853-1939).
  4. Gerrit Hendrik de Marez Oijens (1811-1883).
  5. Hendrik (Han Henri) de Booy (1867-1964).
  6. Hendrik Freijer (1876-1955).

1913. 24-04-1913. Amsterdam Royal Concertgebouw. Memorial plaque 25th anniversary, 24-04-1913, 26-04-1913 and 27-04-1913.

1914. 04-05-1914. Amsterdam Royal Concertgebouw. Soloists and Members of the board. Photo taken after a performance of the Matthäus Passion:

From left to right, sitting:

  1. Thom Denijs (bass).
  2. Pauline de Haan-Manifarges (alto).
  3. Johannes Messchaert (1857-1922) (bass).
  4. Aaltje Noordewier-Reddingius (1868-1949) (soprano).
  5. Gervase Elwes (tenor).

From left to right, standing:

  1. Evert Cornelis (1884-1931).
  2. Jan Dudok van Heel (1867-1930).
  3. Jo Beukers-van Ogtrop (1865-1948).
  4. Charles Ernest Henri Boissevain (1868-1940).
  5. Willem Mengelberg (1871-1951).
  6. Gerrit Hendrik de Marez Oyens (1811-1883).
  7. and others.

Amsterdam Royal Concertgebouw. Garden behind the building.

Amsterdam Royal Concertgebouw. Removal of the garden behind the building (1920s).

Amsterdam Royal Concertgebouw. The names of the members of the Gustav Mahler Kring are mentioned on the Eretableau at the Spiegelzaal and in publications of Het Concertgebouw Fonds. See Ground floor map on this page.

1950/1995. Amsterdam Royal Concertgebouw. Buste of Gustav Mahler (1860-1911) by his daughter Maria Anna Mahler (Putzi) (1902-1907). Gift from Mahlers granddaughter Marina Fistoulari Mahler (1943) to the Royal Concertgebouw on the occasion of the Gustav Mahler Festival Amsterdam 1995. Mahlers daughter Anna Justine Mahler (Gucki) (1904-1988) was inspired by the image she had as a child from her father. This is the only bronze cast of this Mahler bust. Location Bust Gustav Mahler (1860-1911) in the corridor of the First floor (Verdieping 1) between the doors "Podium Zuid & Midden" and "Podium Noord & Midden", accessible to all visitors. See First floor map on this page.

1950/1995. Amsterdam Royal Concertgebouw. Buste of Gustav Mahler (1860-1911) by his daughter Maria Anna Mahler (Putzi) (1902-1907). Gift from Mahlers granddaughter Marina Fistoulari Mahler (1943) to the Royal Concertgebouw on the occasion of the Gustav Mahler Festival Amsterdam 1995. Mahlers daughter Anna Justine Mahler (Gucki) (1904-1988) was inspired by the image she had as a child from her father. This is the only bronze cast of this Mahler bust. Location Bust Gustav Mahler (1860-1911) in the corridor of the First floor (Verdieping 1) between the doors "Podium Zuid & Midden" and "Podium Noord & Midden", accessible to all visitors. See First floor map on this page.

2012. Amsterdam Royal Concertgebouw. Giuliano Sommerhalter plays Ferntrompete in Gustav Mahlers Symphony No. 1 in the hallway of the Amsterdam Royal Concertgebouw.

2017. Amsterdam Royal Concertgebouw.

Both the large and the small auditorium are adorned with the names of the composers who were most appreciated at the time of the construction of the building (and even afterwards). The names on the balcony edges in the Grote Zaal are from composers who have performed there or from whom a work has premiered: Strawinsky, Pijper, Ravel, Reger, Wagenaar, Tschaikovsky, Zweers, Bruckner, Mahler, Franck, Diepenbrock, Debussy, Dopper, Rich. Strauss, Röntgen, Bartók, Dvořák.

2017. Amsterdam Royal Concertgebouw. Hall, seen from center front balcony.

2018. Amsterdam Royal Concertgebouw. Hall left.

2018. Amsterdam Royal Concertgebouw. Front balcony, Mahler tribute.

2018. Amsterdam Royal Concertgebouw. Center front balcony, Mahler tribute.

2018. Amsterdam Royal Concertgebouw. Ground floor. Map.

2018. Amsterdam Royal Concertgebouw. First floor. Map. Bust Gustav Mahler (1860-1911) in the corridor of the First floor (Verdieping 1) between the doors "Podium Zuid & Midden" and "Podium Noord & Midden", accessible to all visitors.

Legend

  • Achterzaal = Back hall
  • Balkon = Balcony
  • Begane grond = Ground floor
  • Bewaakte garderobe = Guarded wardrobe
  • Bordes = Platform
  • Buste = Bust Gustav Mahler (1860-1911) in the corridor of the First floor (Verdieping 1) between the doors "Podium Zuid & Midden" and "Podium Noord & Midden", accessible to all visitors.
  • Entree = Entrance
  • Entree artiesten = Entrance artists
  • Foyer = Lobby
  • Grote zaal = Large hall
  • Ingang = Entrance
  • Kassa = Pay desk
  • Kleine zaal = Small hall
  • Onbewaakte garderobe = Unguarded wardrobe
  • Podium = Stage
  • Rang = Rating
  • Spiegel zaal = Mirror hall
  • Trap = Stairs
  • Verdieping = Floor
  • Verdieping 1 = First floor
  • Voorzaal = Front hall
  • Zaal = Hall

 

 

2018. Amsterdam Royal Concertgebouw. Ground floor. Large hall. Seats. Map.

Some of the composers in the Amsterdam Royal Concertgebouw:

Some of the conductors in the Amsterdam Royal Concertgebouw:

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